Recursos

 

Recursos en línea

Culture vulture.net [Recurso en línea]. Dirección URL: <http://culturevulture.net/> [Consulta: 9 de junio del 2016].

Feldman Gallery [Recurso en línea]. Dirección URL: <http://www.feldmangallery.com/pages/artistsrffa/artgol01.html> [Consulta: 14 de agosto del 2013].

Brooklyn Museum of Art [Recurso en línea]. Dirección URL: <http://www.tfaoi.com/aa/2aa/2aa534.htm> [Consulta: 14 de agosto del 2013].

The Broad Art Foundation [Recurso en línea]. Dirección URL: <http://www.thebroad.org/about/broad-art-foundation> [Consulta: 9 de junio del 2016].

The artist.org [Recurso en línea]. Dirección URL: <http://the-artists.org/> [Consulta: 9 de junio del 2016].

Art Facts [Recurso en línea]. Dirección URL: <http://www.artfacts.net/index.php/pageType/artistInfo/artist/1273> [Consulta: 14 de agosto del 2013].

 

Bibliografía

Adams, Clinton. “East coast, West coast: Tamarind lithography workshop and the American print establishment”. Print Quarterly. Vol. 14, n. 3 (Sept. 1997); pp. 252-283.

Angels, anarchists & gods: Christopher Felver. Baton Rouge, Louisiana; London: Louisiana State University Press, 1996.

Baker, George. “Leon Golub: Paintings - 1950-2000”. Artforum. Vol. 40, n. 1 (Sept. 2001); p. 191.

Billboard: art on the road. Cambridge, Massachusetts; London: MIT Press in association with the Massachusetts Museum of Contemporary Art, 1999.

Bird, Jon. “Infvitabile Fatum: LeonGolub's history painting”. Oxford Art Journal. Vol. 20, n. 1, 1997; pp. 81-94.

Burrows, David. “Critical Interventions: Evil”. Art Monthly. N. 217 (June 1998); pp. 24-26.

Cornall, John. “Oh, brothers”. Art Review. Vol. 54 (Nov. 2002); p. 91.

Falconer, Morgan.“Power to the painter”. Art Review. Vol. 52, Nov. 2000); p. 67.

Faroux, Renaud. “Resistance”. L’Oeil. N. 546 (April 2003); p. 114.

Frascina, Francis. Art, politics and dissent: aspects of the art left in sixties America. Manchester, England; New York: Manchester University Press, 1999.

Gioni, Massimiliano. “New York cut up: fragments from the Big Apple”. Flash Art. Vol. 34, n. 219 (July-Sept. 2001); pp. 71-73.

Haynes, Deborah J. The vocation of the artist. Cambridge, England; New York; Melbourne: Cambridge University Press, 1997.

Heartney, Eleanor. “Between horror and hope”. Art in America. Vol. 87, n. 11 (Nov. 1999); pp. 75-79.

Holmes, Brian. “The art exhibition as political theatre”. Art Journal. Vol. 59, n. 4 (Winter 2000); pp. 59-67.

Hylton, Richard. “Look Out”. Art Monthly. N. 241 (Nov. 2000); pp. 24-6.

Isaak, Jo-Anna. “Rebel with a cause”. Circa. N. 93 (Autumn 2000); pp. 35-37.

Klein, Mason. “LeonGolub/Nancy Spero”. Artforum. Vol. 39, n. 1 (Sept. 2000); pp. 178-9.

Kunitz, Daniel. “Out of the Fifties - Into the Sixties: 6 Figurative Expressionists”. New Criterion. Vol. 19, n. 9 (May 2001); pp. 44-5.

Landi, Ann. “Tribute to Peter Selz”. ARTnews. Vol. 99, n. 6 (June 2000); p. 146.

Nochlin, Linda. “Learning from black male”. Art in America. Vol. 83, n. 3 (March 1995); pp. 86-91.

Raskin, David. “Golub and Kosuth: whose expressionism?”. Art Criticism. Vol. 12, n. 1, 1997; pp. 38-47.

Roberts, John. “Nancy Spero + LeonGolub”. Everything. Vol. 3, n. 3, 2000; pp. 2-6.

Roumanes, Jacques-Bernard. “La collection Luc Larochelle: noir sur blanc”. Vie des Arts. N. 178, (Spring 2000); pp. 32-35.

Scholz, Trebor. “Carnival in the Eye of the Storm: a project curated by Trebor Scholz”. Art Journal. Vol. 59, n. 4 (Winter 2000); pp. 54-58

Scott, Yvonne. “Leon Golub”. Burlington Magazine. Vol. 142, n. 1171 (Oct. 2000); pp. 648-9.

“Site specifics”. ARTnews. Vol. 96, n. 4 (April 1997); pp. 116-118.

Stevko, Barbara. “Sid Block & Bob Hiebert”. Contemporary Impressions. Vol. 5, n. 2 (Fall 1997); pp. 2-6.

Strauss,David . “Where the camera cannot go”. Aperture. N. 162 (Winter 2001); pp. 52-64.

Teale, Kate. “LeonGolub: exclusive interview”. Contemporary Art. Vol. 3, n. 4 (Summer 1996); pp. 11-15.

Ullrich, Polly. “INTUIT: outsider art at home in Chicago”. American Craft. Vol. 58, n. 6 (Dec. 1998-Jan. 1999); pp. 8.

Vincent, Steven. “After 11 September: where does art go from here?”. Art Newspaper. Vol. 12, n. 119 (Nov. 2001); p. 6.

Williams, Quentin. “Model approach”. Art Review. Vol. 51 (May 1999); pp. 62-64.

Yood, James. “Collaborations 1998”. Artforum. Vol. 37, n. 6 (Feb. 1999); p. 101.